Fine art - shoot day (Part2)

The mind set Lurking in the back of your mind is always that 'taught' idea that nudity is bad. Sinful in some way. Even the most carefree among us knows that little feeling tugging at us when we are naked, even to get into the shower. It's there and to acknowledge it and know that it's just an embedded notion is important for some people.

There are two forms of Fine Art Nudes. Society has drawn the line for us. Oddly it's as simple as nipples and vaginas. One form of fine art, and what I shoot most, shows very little in the way of actual nudity, based on society's opinion. A shot like this for example shows no more than a bikini, yet it is obviously nude modeling.

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Note that, for some people the simple lack of strings showing that there IS a bikini is objectionable.  Those are the few that see something evil or nasty instead of the beauty of the skin tones, fine lines and curves, and often mood and emotion.  Most of the time, any reluctance of a model to do fine art is based on what others may think of him or her if they posed like this.  It's a valid concern.  Without a supporting spouse or significant other, moving forward is nearly impossible.  More on this in part 3.

The second form of fine art is full nudity, where we cross society's lines and open the body to a more free form of expression.  Often this form alludes to a bit more confidence and allows for more freedom of expression because there isn't a need to cover certain body parts.  In both cases the same basic beauty and art are present of course.

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Here is where you do have a choice of how far you want to go as a model.  And this usually depends on your life goals.  If you are a teacher you probably wouldn't want to go beyond the implied most certainly, as an example.  And maybe avoid this form of expression all together.  If one of my images ever cost someone their job, career, or significant other, I would be devastated.  This is a life choice that, unfortunately, could be a limiting factor in your future life so consider it carefully.  I've found those that display full nudity are super confident and will never care what others think and aren't worried about it getting in the way of their careers.

The Studio

So, what is it like in the studio the day of the shoot?  If you've never done fine art before it's always a bit stressful to start.  Nervousness about the whole process.  That little nagging feeling about being nude in front of a stranger. Well, here's how a shoot usually goes.  First we will do some shooting with a simple top just to get you comfortable with the music, lights flashing, the sound of my voice directing you, we'll go over some modeling tips and basically spend the first 30 minutes warming up.  It's an important time to get into the creative groove.

You'll find a large changing room for makeup, changing, and in the event you end up covered in baby oil there's even a shower.  That's your room for the shoot.  Most notably, there are robes.  You are welcome to wear a robe when we aren't actually shooting.  While doing light tests, or discussing the next pose, you can wear a robe if that is more comfortable for you.  You will find a very creative, yet focused, environment once we start shooting.  Especially with the fine art.  Getting the lighting exactly right and getting every detail of your pose right is key.

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You will be comfortable in no time and excited about what we are shooting.  You'll also find I put my camera down unless you are in position and we are ready to catch the look.  After 3-6 different looks or poses we'll be done.  Exhausted.  And 3 or 4 hours went by yet it will seem like just 1.  And in the case of those who did fine art nudes for the first time, they wonder what they were nervous about in the first place.

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So, that's what it's like from the models point of view.  Based on my observations and conversations.

Next part I'll discuss the complications of model's and photographer's significant others and the huddles that often need to be overcome for everyone to be happy.  It's about communication and understanding.

Continue to Part 3

Go check out part 1

Fine art - my perspective (Part1)

The human form I'll start by clearing up the basics.  Fine art nudes is an art form.  It has nothing to do with sex, exhibitionism, or voyeurism.  It does not degrade, sensationalize, or prey upon any gender.  The confusion comes from those that use the term 'fine art' as a gateway to shoot what is very obviously not art at all.  I've met people who can ramble on for a while about the fine lines and subtle tones of an art piece and I've met people who look at the same piece, tilt their head and say 'cute'.  Everyone sees art differently and in my experience it's not something you learn.  You either like it, love it, or don't see it.  I have never seen a 'face palm' with a shocked expression and exclamation of "NOW I SEE IT!"

Me

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For as long as I can remember, I've always loved the graceful clean lines formed by the human body.  Whether it is that of a soft beautiful female or a muscle filled shot of a male.  All shapes, sizes, and ages.  More recently very fit females have come to have the best of both soft lines as well as shadow from evident muscles.  All beautiful, especially in the right light.

I'm sure there was a time in my life that I was taught to consider any form of nakedness as inappropriate.  That is not a natural reaction, we are taught that nakedness is a sin somehow.  Later in life, as we start to rebel, question, and venture out with our minds, and especially when we discover art, we then discover the beauty of the human body.  And that it is not inappropriate to view them as the forms of art that they are.

I'm fortunate to have a very understanding and loving wife who understands my need to create.  She trusts that models will be treated with respect and that the only goal is the finished project.  That trust, from a partner, is important yet rare.  I will discuss that in another installment of this series.

The introduction

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When a model contacts me about creating some art I, of course, browse through  his or her images.  My mind immediately starts considering the options of what poses and lighting would work best for their body shape and attributes.  I begin to imagine what the end result may be based on past experience as well as my ever present checklist of images I'd like to create.

I'll chat a bit to make sure the model understands the art we will create will involve nudity.  I always feel a little creepy in that part of the conversation because of that early teaching that nudity is inappropriate and here I am talking to someone I've likely never met about shedding their clothes for my camera.

It is ultimately important that they are fully comfortable with what we will be doing.  Most often I've found the promise of what may be created is a strong motivation to many to push themselves beyond their normal boundaries.  And, to date, everyone has been very pleased with our results.

Parts 2 and 3 In the next installments I will cover the trust issues of significant others in your life if you want to shoot fine art and just how a professional shoot works with nudity.

READ PART 2